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Name: | Martin Christie | ||||||||||
| Based: | Brighton, East Sussex | |||||||||||
| Style: | Commercial, Portrait, Beauty & Glamour | |||||||||||
| Status: | Professional | |||||||||||
| Experience: | 20 years, photography and graphic design | |||||||||||
| Format: | Digital and 35mm | |||||||||||
| Camera: | Nikon | |||||||||||
| Portfolios: | Yes | |||||||||||
| Paid work: | Yes | |||||||||||
| Tests: | Yes | |||||||||||
| TFP: | Maybe | |||||||||||
| Film: | Brazil (Terry Gillam fantasy) | |||||||||||
| Author: | Raymond Chandler (The Big Sleep etc) | |||||||||||
| Destination: | Provence | |||||||||||
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| How did you get into photography? | ![]() |
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| I started as a hobby when I was a student, taking pictures of friends | ||||||||||||
| and learning to process my own film in the bathroom, that sort of | ||||||||||||
| thing, making lots of mistakes. | ||||||||||||
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Do you have fond memories for your first camera? | ||||||||||
| The first one I really remember was a Zenit E, which was an old | ||||||||||||
| russian made 35mm, very cheap and built like a tank. the wind on | ||||||||||||
| mechanism would tear the film in half. My first pro camera was a | ||||||||||||
| second hand Nikon F I acquired from a sports photographer. I was | ||||||||||||
| doing a lot of motorsports at the time, and it seemed the best choice. | ||||||||||||
| A lot of your work is with new models, where do you find them? | ![]() |
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| Behind bars usually! Barmaids are often students or looking for | ||||||||||||
| temp work, and if they can be attractive, personable and reliable | ||||||||||||
| putting up with the stress and abuse of pub work, modelling will be a | ||||||||||||
| doddle. I also like to get to know them and vice versa before I even | ||||||||||||
| mention photography, which makes the initial approach easier. | ||||||||||||
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I can't not mention Francesca, :o) was she a Christie discovery? | ||||||||||
| No she was a models club posting. I liked the look of her and | ||||||||||||
| emailed her not really expecting an answer because I was only able | ||||||||||||
| to offer her a test shoot rather than paid work at first. I think the | ||||||||||||
| offer of a 4x4 lesson swung it more than my photography ! | ||||||||||||
| Have you always photographed girls? | ![]() |
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| Well I like girls, that's important. I'd always shot a few for fun. I'd | ||||||||||||
| spent most of my time trying to catch bikes and cars going at 100 | ||||||||||||
| mph in the rain & generally dashing around europe and the states to | ||||||||||||
| meet deadlines, the prospect of a nice cosy studio & an attractive | ||||||||||||
| model happy to shed most of her clothes seemed like a better idea! | ||||||||||||
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How did your first model shoot go, nervous at all? | ||||||||||
| Actually it was really easy because I'd sat in on
some shoots with |
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| other professionals who specialised in studio work, and showed me | ||||||||||||
| the ropes technically. I just naturally find it easy working with new | ||||||||||||
| models, most models want to be there, and want to perform, you just | ||||||||||||
| have to coax the best out of them. | ||||||||||||
| Now you shoot digital ? | ![]() |
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| Yes, I still keep my old Nikons in the cupboard
for special occasions |
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| but it's so much easier shooting digital, especially for web use, but | ||||||||||||
| also for magazine adverts and brochures. It's good for the models | ||||||||||||
| too, because they can get the feedback of seeing how they look, and | ||||||||||||
| that always boosts their confidence. | ||||||||||||
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| All images are the copyright of
Martin Christie |
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| links |
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Past Feature Photographers |
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